Cream Cone Louise Blyton and clusters of shapes as

and clusters of shapes as little paintings in themselves

through the physical act of bending/folding the paper

her interest in metaphor

Fattovich is motivated by a deep inner need to express energy and spontaneity

the attention is directed to the space within the object

Cream Cone Louise Blyton and clusters of shapes asSpielman uses oil paint on canvas, paper and panel in various sizes; she works on up to forty paintings at a time, moving between them as each begins to form, then isolating a work to bring to completion. Her saturated surfaces are luminous, with alternate glossy and matte layers, but also bear rough nail marks that scar and deconstruct the work. These etched lines and marks relate to an image and idea, and are often the underlying structure, the